The Postman

1997

Action / Adventure / Drama / Sci-Fi

Synopsis


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Director

Cast

Ryan Hurst as Eddie March
Kevin Costner as The Postman
Dolph Lundgren as Andrew Scott
Giovanni Ribisi as Bandit 20
720p 1080p
1.10 GB
1280*720
English
R
23.976 fps
2hr 57 min
P/S 5 / 37
2.30 GB
1920*1080
English
R
23.976 fps
2hr 57 min
P/S 3 / 9

Movie Reviews

Reviewed by A-Ron-2 8 / 10

Well... I am glad to see that I am not the only person who liked this film

I truly do NOT understand why The Postman was attacked as viscously as it was by the film media (there films much more worthy of the Golden Raspberry Awards in 1997). I loved this film and was very impressed with the loving amount of dedication that it demonstrates on the part of the actors, writers and director. This was a GOOD movie: it had a strong and intelligent story; excellent and interesting characters; and real feel for the post-Apocalypse genre. I felt that Kevin Costner's everyman act worked beautifully in this film and created a sense of reality for the character and of his situation.

As far as the sci-fi novel by David Brin, this film exceeded it in every way possible. Where Brin had to rely on cheezy sci-fi standards (like supersoldiers) to resolve his story, this film does using only two men, both frauds, and both with radically different understandings of what constitutes a proper society. That is what made this film great (and I rarely use the term great), that this film was essentially an examination of America and what America means. It was a parable of sorts about the types of men Americans are and what they are capable of (notice that the head bad-guy had a traditional, classical education, while Costner did not; he appreciated these things but they were not at the center of his belief system... I wonder why).

While I do not agree with every aspect of this film (I am a Medievalist and a Platonist, so I don't necessarily feel the same way about the Western Canon that the film-maker may have), I still find it to be a beautiful reflection on the psyche of the American everyman. America has a tradition of rejecting the absolutist ideals of the past in favor of the pragmatic relativism of today, and I think that this film is a parable of the divorce of America from the traditions of Europe.

Overall, this is a complex and entertaining film and I highly recommend it to anyone interested in examinations of American culture and tradition, perhaps as a double feature with Citizen Cane (I am not, however, claiming that the Postman was as good a film as Citizen Cane, only that they have a similar theme... what does it mean to be an American?).

Reviewed by professor_asphincter 10 / 10

Very unfairly treated movie

I know a lot of people hated this movie. I know why. It is a little saccharine in places and yes, it is not always believeable. But this is one of the few time a screenplay is better than the book it was based on. This film always fills me with such positive energy and hope. it is funny in places, sad in places, tragic and action-packed in places. Costner plays Eric with such a fresh attitude, and you can almost hear the voices in the characters head pulling his loyalties. The cast is perfect and in many places the cinamatography is sublime. The cross cuts are so clever it made my eyes ache with envy that i didnt think of them and the action sequences are fast and timed to perfection. this remains one of my favourite films and in all honesty people should give it a little more respect. no matter what you think of the script and characterisation technicly this film is top draw. Sets, locations, effects and design grab you by the hand and take you someplace you actually want to go. i would much rather make and see films like this than dross like 'chaicago' and 'moulin rouge'. this is a film for grownups with a bit of imagination and respect for the film makers art.

Reviewed by tony etchells 9 / 10

See it, then decide


It's a depressing fact that the moviegoing public is being brainwashed by critics to hate everything involving Kevin Costner. When released in 1997 this breathtaking, thought-provoking epic was largely ignored and limped to a box office gross of $14 million, thanks to some vicious reviews.

Lest we forget, Costner made the magnificent Dances With Wolves, but that was in the days when we were told it was okay to like him. His directorial follow up is every bit as good. He knows about directing. He coaxes great performances from his casts. He has real vision and takes chances. Like Michael Cimino, his efforts are belittled and mocked while directors with clearly less talent are applauded.

So to all those people who stayed away in droves and screw their faces up at the mention of this film, I say watch it before you criticise it. Don't rely on some magazine writer to tell you who's good and who's not. Your brain is there for a reason.

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