The Shooting


Action / Western

Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 69%
IMDb Rating 6.7 10 3319


Uploaded By: OTTO
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November 13, 2014 at 11:13 AM



Jack Nicholson as Billy Spear
Warren Oates as Willett Gashade
Millie Perkins as Woman
Will Hutchins as Coley
720p 1080p
694.32 MB
23.976 fps
1hr 22 min
P/S 1 / 3
1.23 GB
23.976 fps
1hr 22 min
P/S 1 / 5

Movie Reviews

Reviewed by ma-cortes 6 / 10

Rare and complex Western by Monte Hellman that tells hows a group pursues an unknown rider

This especial Western with allegoric qualities deals with a mysterious woman (Millie Perkins who wore a hairpiece) bent on vengeance , she forms a group (Will Hutchins and Warren Oates who in his biography he said that he had a crush on co-star Millie) to escort her across a warming desert . Later on , the posse is joined to a cocky gunfighter (Jack Nicholson) until a surprising finale.

Outlandish and difficult western is packed with thrills , exciting pursuits , noisy gun-play and strong performances . Written , produced (along with an uncredited Roger Corman) and starred by Jack Nicholson . Most budget was spent on the salaries for the horse wranglers , who along with the cast were the only union element in the picture . The slight budget was wasted on near constant rains ; in fact , very little was accomplished in the first two days of filming because of the severe flooding in the areas that were chosen as key locations . It is well set against the hot barren background and splendidly photographed landscapes by Gregory Sandor . Cinematographer Sandor shot the bulk of this film using natural light . Made back to back with ¨Ride the whirlwind¨ (where some cowboys are mistaken for members of a band) , both of them bear similar cast , cameraman , director and technicians.

This offbeat and strange motion picture filmed in 1965 was well directed by the maverick Monte Hellman , being firstly shown at the Montreal Film Festival in Canada . His movies are full of similarly independent-minded stars as Jack Nicholson and Warren Oates (his habitual actor) and result to be appreciated by the critics but virtually suffer lukewarm reception by the public . His firsts films were produced by Roger Corman , two horror quickies in low budget , titled ¨The beast from haunted cave (1959)¨ and ¨Back door to hell (64)¨ . After that , he directed two intelligent Western filmed concurrently in 1967 , and ¨Two-lane blacktop (71)¨, describing the underbelly of American life , furthermore ¨Cockfighter (74)¨, a not easily approachable film and sometimes nor even easy understandable . Later on , Hellman has not got his balance right , film-making flops as the Western ¨China 9, Liberty 37 (1979)¨, adventures ¨Iguana (88) and commercial terror as ¨Silent night, deadly night 3 (1989)¨. Nowadays, Hellman only makes failed B movies and television series .

Reviewed by Howard Schumann 8 / 10

A subversive western

"Did I tell you to do something?" - Billy "I don't give a curly-hair, yellow-bear, double dog damn if you did" - Coley

Four people ride across the desert tracking a killer but it is not clear who they really are and who it is they are looking for. In Monte Hellman's subversive western The Shooting, just released for the first time on DVD, Warren Oates is Willett Gashade, a bounty hunter turned mine owner who returns to find his brother Coin missing, his partner dead, and a fellow worker in a state of panic. When a strange woman shows up, the three set out on a journey with an unknown destination that leads to a final bizarre confrontation. The Shooting has more questions than you can find on the SAT and it is often a frustrating challenge to fit the pieces together. Hellman shot the film on a limited budget in eighteen days in the desert country near Kanab, Utah with B-movie producer Roger Corman and a young actor named Jack Nicholson.

It was released to television and did not play in the theater until years later after it developed a cult following in Europe. The quality of the transfer is impeccable but the dialogue borders on the incomprehensible. Slow-witted but good humored Coley (Will Hutchins) is fearful as he tells Gashade that he was asleep when he heard an argument between Willett's partner Leland Drum and Coin. He says that Colin fled, and Leland was shot dead by an unseen gunman and tells Gashade something about Coin having ridden down "a man and a little person, maybe a child," but Coley's not sure about that. Soon, a woman (Millie Perkins) who is not named arrives and offers to pay Gashade to guide her to Kingsley, a town that lies some hours away, beyond a dangerous desert. The woman is abrasive and complaining but Coley takes to her immediately while Willett is distanced and aloof.

Mystery piles upon mystery. When the riding party sets out, the woman asks to be led in the wrong direction without offering any explanation. The woman shoots her horse claiming it was lame but it turns out have no broken bones. When asked why she shot the horse, after a long period of silence, she can only muster a feeble smile. Along the way, Coley, Willett and the woman meet up with Billy Spears (Nicholson), a nattily dressed gunman with a sadistic smirk, and it becomes apparent that the purpose of the journey may be to track down the person or persons responsible for shooting Leland. Beyond that it is anyone's guess as to what the film means and an unforgettable climax does not clear up the confusion.

The director has said that The Shooting is a mirror of the Kennedy assassination where doubt remains about what actually happened on that day, but the connection is murky. Whatever its ultimate meaning, The Shooting is an involving ride full of twists and turns and Jack Nicholson's mighty performance as Billy is worth the price of admission. Actually the meaning may be revealed when Gashade says to Millie, "If I heard your name I wouldn't know it, would I?" She says, "No." Then he says, "then I don't see no point to it." She says, "there isn't any." Perhaps like life, The Shooting doesn't mean anything. It's just there to grab your attention.

Reviewed by MisterWhiplash 8 / 10

Answers (warning: some spoilers)

The Shooting shouldn't be any great shakes when it comes to westerns. That's the case at least in terms of production value. It was shot on a more-or-less-comparable shoestring budget alongside Ride in the Whirlwind by Monte Hellman, and both feature actors like Harry Dean Stanton, Millie Perkins, Warren Oates, and of course Jack Nicholson. They seem to have a tenth of most a common Hollywood budget, and especially with the Shooting you really need to pay attention at times (or just glance repeatedly at the video box description) to understand what's going on. But there's something to it, something that defines it through the mood and execution that drives up the material, provided in what seems to be a one-time-only genre exercise from Five Easy Pieces writer Carol Eastman, to a more interesting plain. As the dead end these characters are facing is going further along, the desert sun is pushing down more and more, a crushing weight on a tense atmosphere where death seems to be just at the blink of an eye.

That's at least as deep as it gets anyway. While Nicholson's Whirlwind script might have dealt better with the existential motifs (whatever they may be in interpretation), the Shooting is good for, at least, its bedrock of a story and some of its acting. Oates plays a cowboy who along with a slightly dim but alert younger cowboy are hired by a woman (just called Woman, played by Perkins with a bit of a b***h streak in a so-so turn almost in spite of a great presence to her character) who wants them to take her across a ways to a small town. Why they're hired they can't figure, and it bugs Oates all the more when another fellow starts to follow them: Billy (Nicholson), a bounty hunter with few words, black gloves and a streak of tough-guy talk whenever he speaks, follows along with them also getting a cut of the stake at hand from the Woman. Turns out there might be more than meets the eye to this mission.

What the Shooting provides best as is a creative sense of the unusual beneath what should come out of some 2nd rate paperback book. There's violence brimming at the seams, and in certain visuals, like the flashback early in the film with the character outside the ten who just keels over in the shade of blue all over. Or the figure of the bearded man with the broken leg out in the desert, who from far away looks like a weird shape until his arm moves (another doomed creature). And the climax, while at the very end needlessly ambiguous to what may or may not be a twin or revenge or whatever (not that it detracts from the mood much), has also a spirit that goes aways to make this just a tinge more than what we're expecting, from the performances and the script.

It takes a little while to start, but once the halfway mark comes and Nicholson comes on the scene- in possibly his first significant bad-ass role- it improves into something like a precursor to the recent Seraphim Falls. An obscure, dated but interesting find from talented indie filmmakers.

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