The Wizard of Oz

1939

Action / Adventure / Family / Fantasy / Musical

Synopsis


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March 26, 2013 at 08:50 PM

Director

Cast

Judy Garland as Dorothy
Margaret Hamilton as Miss Gulch / The Wicked Witch of the West
Ray Bolger as 'Hunk' / The Scarecrow
Jack Haley as 'Hickory' / The Tin Man
720p 1080p
751.31 MB
1280*720
English
Passed
23.976 fps
1hr 42 min
P/S 2 / 35
1.40 GB
1920*1080
English
Passed
23.976 fps
1hr 42 min
P/S 16 / 171

Movie Reviews

Reviewed by robb_772 10 / 10

A true cinematic milestone

Where to begin? MGM's elaborate adaptation of L. Frank Baum's 1900 fantasy classic THE WONDERFUL WIZARD OF OZ not only became an institution among itself (and practically defined the concept of modern popular culture), but is reported to be the most viewed film ever made. A sharp screenplay effectively condenses the novel's text into a workable film, and director Victor Fleming (along with countless other behind-the-scenes technicians) craft a visually stimulating fantasy world that surpasses the expectations of even the most imaginative viewers. Brimming with stunning visual effects (the film's fierce tornado is an FX feat that has yet to be surpassed by CGI), witty dialogue, and eye-popping Technicolor, THE WIZARD OF OZ truly lives up to it's reputation as a once-in-a-lifetime film where every element comes together flawlessly.

The cast could not be improved upon. The quivery-voiced, solemn-faced Judy Garland will always be Dorothy, the little lost farm girl on the road to Oz, clutching her beloved Toto (impressively portrayed himself by the female canine performer Terry, the terrier). It seems inconceivable that MGM had originally wished to cast Shirley Temple in the role, as Temple's doe-eyed, cutesy-voiced shtick would have been a catastrophic ill-fit for the tone of this picture. Conversely, Garland is perhaps the screen's quintessential woman/child; always seemingly just one step away from reaching full emotional maturity. It is her sadness that transfixes viewers to the screen, the exact same quality that made the film's most memorable Harold Arlen/E. Y. Harburg number "Over the Rainbow" into one of the most exquisite marriages between artist and song ever to be recorded.

The remainder of the cast is similarly exceptional, many of whom perform perfectly even under the most debilitating make-up and costumes. Frank Morgan is marvelously versatile in no less than five roles, the insanely energetic Bert Lahr mugs brilliantly, the handsome Jack Haley swoons sweetly, Billie Burke lends the film an ornate ethereality, and Ray Bolger's gravity-defying physical presence nearly steals the entire picture on several occasions. Perhaps most notable is former schoolteacher Margaret Hamilton's transformation into the wickedest of wicked witches, which certainly remains among the vilest and most terrifying portrayals of full-throttle evil ever to be seen. No matter how it is analyzed, scrutinized, or satirized, the 1939 production of THE WIZARD OF OZ is a top-notch example of how to turn a great story into a fabulous, milestone of a film.

Reviewed by Slav Petkov (slavi_sofia) 10 / 10

I wish I could have followed the yellow brick road.

When I was a very little boy, I saw that movie on The Bulgarian National Television and I really fell in love with it:)). It was a kind of magic that took my heart to eternity and from there it saw all the world in a very amusing way:)). I will probably never forget the first time I saw that movie...I really hope that everybody will continue watching it and it won't be among the forgotten movies... If you're very very young and you haven't seen it yet, then see it, you will feel the greatest force of the white magic:)))).

Judy Garland is THE PERFECT DOROTHY!!!:)))

See it, OK??:)))))

Reviewed by robb_772 10 / 10

Still Has Its Magic

Where to begin? MGM's elaborate adaptation of L. Frank Baum's 1900 fantasy classic THE WONDERFUL WIZARD OF OZ not only became an institution among itself (and practically defined the concept of modern popular culture), but is reported to be the most viewed film ever made. A sharp screenplay effectively condenses the novel's text into a workable film, and director Victor Fleming (along with countless other behind-the-scenes technicians) craft a visually stimulating fantasy world that surpasses the expectations of even the most imaginative viewers. Brimming with stunning visual effects (the film's fierce tornado is an FX feat that has yet to be surpassed by CGI), witty dialogue, and eye-popping Technicolor, THE WIZARD OF OZ truly lives up to it's reputation as a once-in-a-lifetime film where every element comes together flawlessly.

The cast could not be improved upon. The quivery-voiced, solemn-faced Judy Garland will always be Dorothy, the little lost farm girl on the road to Oz, clutching her beloved Toto (impressively portrayed himself by the female canine performer Terry, the terrier). It seems inconceivable that MGM had originally wished to cast Shirley Temple in the role, as Temple's doe-eyed, cutesy-voiced shtick would have been a catastrophic ill-fit for the tone of this picture. Conversely, Garland is perhaps the screen's quintessential woman/child; always seemingly just one step away from reaching full emotional maturity. It is her sadness that transfixes viewers to the screen, the exact same quality that made the film's most memorable Harold Arlen/E. Y. Harburg number "Over the Rainbow" into one of the most exquisite marriages between artist and song ever to be recorded.

The remainder of the cast is similarly exceptional, many of whom perform perfectly even under the most debilitating make-up and costumes. Frank Morgan is marvelously versatile in no less than five roles, the insanely energetic Bert Lahr mugs brilliantly, the handsome Jack Haley swoons sweetly, Billie Burke lends the film an ornate ethereality, and Ray Bolger's gravity-defying physical presence nearly steals the entire picture on several occasions. Perhaps most notable is former schoolteacher Margaret Hamilton's transformation into the wickedest of wicked witches, which certainly remains among the vilest and most terrifying portrayals of full-throttle evil ever to be seen. No matter how it is analyzed, scrutinized, or satirized, the 1939 production of THE WIZARD OF OZ is a top-notch example of how to turn a great story into a fabulous, milestone of a film.

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