They Call Me Mister Tibbs!


Action / Crime / Drama / Mystery


Uploaded By: OTTO
Downloaded 12,656 times
May 26, 2015 at 03:19 AM



Edward Asner as Woody Garfield
Sidney Poitier as Virgil Tibbs
Martin Landau as Logan Sharpe
Anthony Zerbe as Rice Weedon
812.38 MB
23.976 fps
1hr 48 min
P/S 4 / 9

Movie Reviews

Reviewed by turk_182 ([email protected]) 6 / 10

Routine police detective movie despite Poitier repeating role of Virgil Tibbs

This Virgil Tibbs is closer to the California-based detective essayed by John Ball in his books. The mystery is worthwhile, and Poitier's performance is masterful. But the writing is pedestrian, the pacing too slow, and the resolution ultimately unsatisfactory. I can give this no better than a 6 out of 10.

Reviewed by The_Movie_Cat 6 / 10

Lovably kitsch Poitier folly

With its kipper ties, flared trousers and proficient - yet dated - music, They Call Me MISTER Tibbs! is perhaps the Poitier film that has aged least gracefully. While its prequel, In The Heat of the Night, was borne from the epitome of cool that was the sixties, here the seventies nurtured this film, which lends it a kitsch value, as well as the air of a t.v. movie. Though these elements - such as seeing the funky theme start up to the tune of Sidney clocking someone with a telephone, or Ed Asner (tv's Lou Grant) "drive" a car to a filmed backdrop - make it endearing and a must-see for a light-hearted Saturday night.

A world away from the usual Sidney vehicle we have here a trawl through San Francisco's red light districts, to which the family elements - though the most critically attacked - actually provide effective light. Also unusual is the amount of sexual tone Sidney is here allowed to display. Yet whereas in the former film Poitier was the big town Lieutenant working in small-town Mississippi, here he is on his own territory, thus shaving the film of one of its dimensions. Without Steiger to bounce off, what depth the script provides his character second time around comes from his wife and children, most notably his son. After slapping the boy into submission, Poitier hugs him, mourning the fact that "you're not perfect . and I can't forgive you." Not a perfectly-formed film by any means, this one does improve on repeated viewing, and the majority of ill feeling does seem to be down to disappointment. After all, how does one make a sequel to a movie that's hailed as a classic?

Reviewed by bkoganbing 5 / 10

In The Heat Of San Francisco

Sidney Poitier's career includes repeating his screen characters only twice in his career. The first one is Mark Thackerey, the caring and compassionate teacher in To Sir With Love and To Sir With Love II. Don't you just love the lack of imagination with sequels that started with The Godfather?

His second character was homicide detective Virgil Tibbs from In The Heat Of The Night. Rod Steiger may have copped the Oscar as the Mississippi sheriff there, but it was Sidney Poitier who made two sequels with his character.

I'd like to say the two sequels were as good as The Godfather ones, but they don't come even close to matching In The Heat Of The Night in quality. This film uses as its title the famous line from In The Heat Of The Night, They Call Me MISTER Tibbs and its more influenced by Bullitt than In The Heat Of The Night.

And not that well either. It's a routine police action drama in which homicide detective Virgil Tibbs is called on to investigate the murder of a hooker. She's an upscale working girl, working out of a building owned by Anthony Zerbe who's a sleaze-bag hood and who's got many criminal activities going. He's not looking for cops prowling around his apartment building because they might uncover things that he'd prefer stay hidden.

Martin Landau is in the film as both a client of the woman and a crusading minister who is leading a campaign for a home rule option proposition on the ballot in San Francisco. If you remember In The Heat Of The Night had Virgil Tibbs as a Philadelphia homicide detective. But apparently no one was terribly interested in continuity.

There's a Bullitt like car chase involving Ed Asner, another suspect in the woman's homicide that's nicely staged. And Poitier's character is given a home life with wife Barbara McNair and two small children.

But all in all They Call Me MISTER Tibbs really plays more like an inflated version of a Police Story episode.

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