Action / Adventure


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August 12, 2011 at 10:10 PM


Brad Pitt as Achilles
Rose Byrne as Briseis
Sean Bean as Odysseus
Garrett Hedlund as Patroclus
798.65 MB
23.976 fps
2hr 43 min
P/S 14 / 32

Movie Reviews

Reviewed by Scott ([email protected]) 7 / 10

very surprised !!!

Well well,.................. expected the worse because of hype, but i was gladly surprised . Screenplay , direction and most of all Brad Pitt, Eric Bana, Brian Cox, and Peter o'Toole were completely on top of their game, even Olando Bloom as the love sick coward Paris was very watchable.

Fight scenes were not overdone, and the love scenes were part of but didn't completely rule the story of Troy which I also liked. If any thing else Troy will go down as having one of the most impressive fight scenes of any film in history. The fight between Hector and Achilles is reason enough to watch Troy alone...

Reviewed by sdillon-1 6 / 10

An infuriatingly mixed bag


Wolfgang Peterson's Troy is an infuriatingly mixed bag – by no means the disaster most critics say but not the masterpiece it could have been.

Based (somewhat loosely) on Homer's The Illiad, Troy tells of the ten year siege of Troy caused by Prince Paris illicit romance with Helen of Sparta – the face that launched a thousand ships. And those thousand ships, battles, and numerous special effects certainly please the eye. But huge battles do not a great film make. Fortunately, the Illiad is such a superb story it's virtually impossible to mess it up completely.

Most of the cast acquit themselves well, despite mispronouncing certain names. Brad Pitt makes a fine Achilles, Brian Cox a suitably scheming King Agamemnon, and Orlando Bloom an appropriately cowardly Paris. However, all are totally outclassed by Peter O'Toole's King Priam, an outstanding performance. In fact, it made me wish David Lean had directed The Illiad in the 1960's and cast O'Toole as Achilles. The only actor who even comes close to his brilliance is Eric Bana, who strikes a suitably tragic note as Hector.

On the other hand, Diane Kruger does not convince as Helen, and I am forced to agree with Empire magazine – her face might launch a rubber dingy or two, but not a thousand ships.

Also, James Horner's music score is rather pedestrian which is hardly surprisingly considering he had very little time to write it. Apparently some brainless studio executive thought it was a good idea to replace Gabriel Yared's reportedly marvellous original score because it wasn't `thumping enough'.

Why on earth anyone thought it a good idea to eliminate the supernatural elements of the tale I will never know. Integral to The Illiad are the gods and their petty squabbling, and Achilles, whose identity as a son of the gods is never explained. Those with no previous knowledge of Greek mythology will be wondering why on earth an arrow in the heel kills him.

Overlong, overblown, and ultimately taking itself way too seriously, the film is worth watching for a single brilliant scene where Peter O'Toole begs Brad Pitt for the body of his dead son. In that moment the film ascends, temporarily, to the level of the great Greek tragedy.

Reviewed by rainman-33 10 / 10

Good film for war/history fans, flawed, but worth every penny

Troy is an excellent movie. For any war/history buff there is enough here to feed upon to overlook any flaws.

First, in response to all the Gladiator lovers who said on the boards that there is no one to cheer for in Troy, I say they are idiots. Gladiator was about a single protagonist. Homer's Iliad was always a complicated, ensemble story. The audience has to deal with a lot of main characters and THIS IS A GOOD THING. Its the Iliad, not Batman.

There was a complaint about the film not having a good side to relate to. This one irritates me. Real life seldom has the simplistic good guy vs. bad guy dichotomy. This in my mind makes Troy that much more believable. When events unfold I actually believed they could happen. Japanese cinema is so good at times precisely because we don't know who the good guy is. The question is simply irrelevant.

The script was written with a mind to keep the important details of the original story intact but to make it as realistic as possible. The gods are there but only in spirit. They don't get directly involved in the action like the original. I think this is a good thing as well. Troy looks like historical recreation rather than a literal translation of the poem. In one scene I thought there was an unlikely event and researched only to find it actually is in the Iliad. When the writer was asking for too much, he was in fact being true to the text. My bad.

OK, visually this film is amazing. Not just the army special effects but the sets and scenery are all beautiful. The costuming is first rate and feels very authentic. Remember, we are going back 3200 years. Quite an accomplishment.

The violence is likewise beautiful. Blood and guts galore, but interestingly it is both on the battlefield AND in single combat. A fight fan will appreciate the attention to detail in the combatants' moves. I had never seen a shield wielded so realistically on film. Spear and sword are given very realistic treatments as well.

Brad Pitt is a good actor. No question about that. Here he has a few moments where he seems out of place, a pretty boy in a soldier's world. But the combat scenes with him are more than enough to make up for that. It has already been discussed how much bigger he is than in Fight Club. The womens will have plenty to look at. His character is complicated and this is also true to the Iliad. Brad Pitt does this internal conflict lots of justice. His actions in the film really seem appropriate. I never asked, like I do in other films, "Why did he do that?" But this is not Brad Pitt's film. It's Eric Bana's.

Eric Bana was amazing. If Achilles was complex, then Bana's Hector is even more so. I had only seen Bana in Black Hawk Down and The Hulk and while BHD was good, there wasn't much for his character to do but be a soldier. The Hulk was so bad I wrote him off completely, blaming his acting for not saving a horrible script. But here in Troy I have new-found respect. He is the main character in the film if you judge by acting power. Lots of emotional struggling going on here that Bana takes on like a pro. He will join this generation's acting elite if he finds more roles like this.

The rest of the cast is good enough with a special note for Peter O'Toole and Brian Cox. Their lines are well delivered and their characters are believable.

The writing is good as far as plot development goes but I would take a few points away for some of the modern vocabulary. "Stop playing with me," the pretty Helen tells Paris. "Playing" should have been "joking" in that scene since I associate playing with modern English and even worse, with modern hip hop English. I shouldn't be getting that feeling in an ancient epic.


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