Two for the Seesaw

1962

Action / Drama / Romance

8
Rotten Tomatoes Critics - Rotten 43% · 7 reviews
Rotten Tomatoes Audience - Spilled 59% · 100 ratings
IMDb Rating 6.6/10 10 2036 2K

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Plot summary

After leaving his wife, lawyer Jerry Ryan moves from Omaha, Nebraska to New York City to start a new life. While studying for the New York Bar Examination and working to finalize his divorce, Ryan meets dancer Gittel Mosca, and the two begin a cautious courtship. However, Ryan feels that he must come to terms with his failed marriage and overcome his lingering attachment to his ex-wife before he can redefine himself and embrace his budding romance.


Uploaded by: FREEMAN
June 14, 2016 at 04:24 AM

Director

Top cast

Shirley MacLaine as Gittel 'Mosca' Moscawitz
Robert Mitchum as Jerry Ryan
Ann Morgan Guilbert as Molly - Dance Student's Mother
720p.BLU 1080p.BLU
849.38 MB
1280*534
English 2.0
NR
23.976 fps
1 hr 59 min
Seeds 1
1.79 GB
1920*800
English 2.0
NR
23.976 fps
1 hr 59 min
Seeds 2

Movie Reviews

Reviewed by moonspinner55 7 / 10

The rusty mechanisms (and theatricality) of the plot is saved by the leads...

The frustrating loop-de-loops of an uncertain love relationship between a Greenwich Village kook-dancer and a Midwestern suit-and-tie lawyer on the verge of divorcing his wife of 12 years. Though highly entertaining, this light-drama obviously derives from a play, as the lines of dialogue have not been reworked for the screen. It gets awfully pedantic at times; for instance, we know the characters' names, they know their names, so why do they keep saying to each other, "Jerry?", "Yes, Gittel?" "I'm sorry, Jerry." "I know, Gittel." The performances by Shirley MacLaine and Robert Mitchum are excellent (we like them even before their self-doubting, insecure characters take shape), but this stage-vehicle hasn't been turned into a star-vehicle. The leads banter back and forth in a curiously under-populated vacuum, however their increasingly tense conversations contain the startling ring of truth. Ted McCord's black-and-white cinematography provides a terrific compensation for the film's minor weaknesses; André Previn's "Apartment"-like score is rapturous as well. *** from ****

Reviewed by MartinHafer 5 / 10

An amazingly frank romantic drama

Robert Mitchum lays a lawyer whose marriage back in Nebraska has just dissolved. Now, he's moved to New York and is very lonely. So lonely that he calls a woman (Shirley MacLaine) he barely knows. They go out and have a few laughs, then they go to her apartment. There, things move very quickly for a 1962 movie--surprisingly quickly, as he tries to get her to let him stay. At first, she's a bit put off--then she decides to sleep with him. At this point, however, he decides to leave--it's just moving too fast. Throughout the film the two are very open about sex and the dialog is quite gritty and realistic as well. Later, they even cohabitate--something you NEVER would have seen in the 1950s.

Now these two people seem very, very different. Mitchum is well-spoken and a professional man from the Midwest. MacLaine is more a head-in-the-clouds Bohemian who is a Jewish New Yorker. Can two people THIS different fall in love and have it last? As you watch this film, you naturally assume the answer is no, as they just seem so unlike each other, argue an awful lot and what brings them together is difficult to put into words. In many ways, this odd relationship that defies the odds seems very reminiscent of THE WAY WE WERE (and you probably know how that film ended).

Unfortunately, because the chemistry seems so odd in this film and the film is quite talky and stagy (it was originally a very successful Broadway play--and it shows), it's not a great film. Most of the problem is that although the dialog seems realistic, the combination of the two characters isn't. Why were they together in the first place other than they were lonely? And why did the movie seem to go on so long? So overall is it worth seeing? Perhaps, though this sure isn't a glowing recommendation.

By the way, in a very disturbing scene, eventually Mitchum slaps MacLaine pretty hard. And, the way the film is made, it seems as if SHE drove him to it. Not exactly an enlightened scene and something that just seems wrong. And, not to be outdone, late in the film, she hits him as well!

Reviewed by lee_eisenberg 6 / 10

in between two musicals, Robert Wise made this gritty drama

If you only know Robert Wise from "West Side Story" and "The Sound of Music", you might be surprised to learn that he directed other types of movies, among them "The Day the Earth Stood Still" and "Star Trek: The Motion Picture". In between the aforementioned musicals, Wise directed an Academy Award-nominated adaptation of William Gibson's "Two for the Seesaw". Shirley MacLaine plays an eccentric New Yorker and Robert Mitchum plays an Omaha transplant who are in a relationship.

The movie feels very much like a play. Since I've never seen the play - and most likely never will - I can't compare this adaptation to it. MacLaine and Mitchum both put on intense performances, but the movie itself drags at times. Not a bad movie, it's just that some parts could've moved a little faster. It'll probably be of interest to film buffs, but not to other audiences.

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