Upstream Color


Action / Drama / Sci-Fi

Rotten Tomatoes Critics - Certified Fresh 84%
Rotten Tomatoes Audience - Upright 70%
IMDb Rating 6.7 10 25861


Uploaded By: OTTO
Downloaded 77,799 times
April 26, 2013 at 06:26 PM



Amy Seimetz as Kris
Brina Palencia as Woman in Club
Mollie Milligan as Maggie
720p 1080p
752.87 MB
Not Rated
23.976 fps
1hr 36 min
P/S 2 / 48
1.43 GB
Not Rated
23.976 fps
1hr 36 min
P/S 4 / 59

Movie Reviews

Reviewed by whiteknight231 1 / 10

borderline silent film leaves much to be desired


I HATED this movie, and so I'm going to give as much information about it as I can, in the hopes of saving spectators the loss of approximately 2 valuable hours of life.

While it pains me to admit it, Upstream Color was actually the film I was most excited to see going into the 2013 Sundance Film Festival. IMO, Shane Carruth's first film, Primer, was perhaps the best on-screen description of time travel ever made. I assumed Primer's success would have paved the way for Carruth to have more resources at his disposal, and with nearly a decade's lapse since Primer's release--he additionally has had plenty of time to craft a masterpiece. Instead, he made Upstream Color, a nearly silent film, with a plot so poorly constructed, even the writer/director himself was at a loss to explain it during a protracted, post-viewing Q&A session.

The film is divided into 3 sections. The first 1/3rd is the only part that is even remotely entertaining, with the subsequent parts feeling less like a planned movie, and more like a video project thrown together by a baret-wearing film student the night before it was due for class. The first section depicts a group of teenage boys who seem to be experimenting with a drug that is taken by swallowing a worm--similar to a tequila worm. After downing the worm, the boys engage in behavior that seems akin to a gang initiation, but with a somewhat supernatural element to it. The boys begin to perform martial arts moves while blind folded, and do so in perfect unison. This was short, interesting, and intriguing start to the story. Sadly, it is neither developed or explained in the rest of the film. After this pointless display, the story shifts to a woman named Kris, who is abducted and drugged with what seems to be the same worm-based drug from the gang kids. Only, her worm doesn't give her kung fu skills or telekinesis. Instead, she becomes completely brain washed by the guy who drugged her. The abductor proceeds to manipulate her into "giving" him all of her material wealth, and then he releases her after she's penniless. This marks the end of the first 1/3rd of the film, and the virtually the last time anything interesting happens.

In the second-third of the movie, we find Kris a shell of the person she was at the beginning, and she falls in love with a guy named Jeff. There seems to be virtually no chemistry between the two, and the only thing that seems to unite them is their weirdness from having been drugged with the worms. This marks the end of any notion a plot for the rest of the movie. For the remainder of the 2nd stanza and the entirety of the 3rd Act, there is virtually no dialogue (none at all for the last 30 minutes of the movie), and nothing but disconnected shots of people and animals (mostly pigs). There is a strange pig farmer, referred to in the credits as The Sampler, who seems to be the source of the worm drug, as well as a collector or random sounds. He never utters a word, and seems to be invisible to everyone but Kris, who shots him at the end, although it's unclear why.

Carruth said in the Q&A that he included countless shots of hands gliding past physical objects without touching them to simulate that to his characters, the substance of the world was just out of reach. He might as well has attached a prosthetic hand to the side of this movie, and shot it gliding past entertainment, but that was just out of reach too.

Reviewed by David Ferguson ([email protected]) 7 / 10

True Identity Theft

Greetings again from the darkness. This is no typical movie, so these will not be typical comments. In 2004, Shane Carruth became something of a cult hero with the Sundance Festival crowd when his debut film PRIMER won a Grand Jury Award. Nine years later, we get his follow-up ... the ultimate artsy, indie film for those who thrive on analysis and prefer to avoid a story ending wrapped up with a neat bow.

These comments will not give you much, but I can tell you the screening had many viewers who left frustrated and confused. The fragmented narrative can be a bit disorienting and it avoids the usual staple of a resolution at the end. The audience knows more than the characters, yet the audience is baffled while the characters just continue on.

The first segment of the film is when it's at its most traditional. We see Thief (Thiago Martins) perform some type of worm/parasite procedure that slowly brainwashes Kris (Amy Seimetz) or leads to mind control or loss of personality ... just depends how you prefer to describe it. We then see The Sampler (Andrew Sensenig) help her overcome thanks to a blood transfusion on his pig farm. Yes, really. Finally, Kris bonds with Jeff (Shane Carruth) as they seek to reassemble their lives and re-discover themselves. Watching them bicker over who belongs to what memory is frightening and fascinating. It makes you question the definition of personal identity, and what if we lost that (or it was stolen).

Nature plays a huge role here, along with the connection to Thoreau's Walden. Many will use the term pretentious. Some will call it boring. Still others will be drawn in by the imagery and sound (or sometimes lack thereof). Shane Carruth does not fit Hollywood and neither do his films. He is a writer, producer, director, co-editor, cinematographer, and actor. He clearly has a love of the material and his choice of Amy Seimetz really makes the film work. She is outstanding (and also a filmmaker). The tired phrase "it's not for everyone" certainly applies here, but if you are a Terrence Malick fan or just enjoy being challenged by somewhat abstract themes, this one is worth a look.

Reviewed by Red-Barracuda 2 / 10

Alienating and tedious

Where to begin? Well, it's very possible that Upstream Colour has a very interesting premise. I can't really confirm this though because quite frankly this is one incomprehensible movie. It starts out fairly intriguing to be fair, with a woman abducted by a man who implants a modified maggot into her. This leaves her in some way under his control and he proceeds to get her to give all of her money to him. Another man pitches up and transfers her internal maggot into a pig. It appears that he has a group of pigs that are all connected to different people who have suffered a similar fate. Anyway, the girl has no memory of her ordeal and soon she meets a man who it turns out was also a victim of the same ordeal. It's at this point that the film goes rapidly downhill.

Upstream Colour is one of those movies where things are certainly not spelled out to the audience. This in itself is not a criticism; it's often laudable in actual fact. But equally this in and of itself is does not necessarily mean a film should be praised. This movie lost me mainly because of the alienating presentation, it was impossible to empathise with the characters and the constant ambient soundtrack humming in the background only added to the detachment. The tone of the movie is more or less a flat line – beyond the interesting opening the story hums along in a one pitch manner. The dialogue scenes between the two central protagonists are very unengaging, bordering on tedious. Visually there were things of interest and its ambiguity was compelling to an extent but overall this one left me very cold.

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