We'll Never Have Paris


Action / Comedy / Romance

Rotten Tomatoes Critics - Rotten 26%
Rotten Tomatoes Audience - Spilled 18%
IMDb Rating 4.6 10 3011


Uploaded By: OTTO
Downloaded 93,290 times
June 05, 2015 at 04:26 AM



Maggie Grace as Kelsey
Zachary Quinto as Jameson
Simon Helberg as Quinn
720p 1080p
754.11 MB
23.976 fps
1hr 32 min
P/S 0 / 11
1.44 GB
23.976 fps
1hr 32 min
P/S 1 / 7

Movie Reviews

Reviewed by zif ofoz 3 / 10

A one note story

How many times can you show the same situation over and over? This little movie shows how and switching the location from New York City to Paris, France didn't improve the movie.

Quinn (Helberg) has the girl Devon (Lynskey) right where he wants her so he can propose marriage. Of course a distraction occurs and the proposal doesn't happen. Poor Quinn has other girls lusting for him. Poor Quinn can't say no. This is most of the movie. Quinn chasing Devon, girls chasing Quinn, and it gets boring.

I think Helberg over did the simple plot and character because at a couple of points I was ready to quit the movie. On the plus side there actually is some very nice dialog between characters in a few scenes.

If you want a silly boy gets girl, boy looses girl, boy gets girl story this might fill your need.

Reviewed by squidantics 3 / 10

Excruciating watch.

This took me three goes to get through. The writing feels so self-centered, characters are lacking depth while the lead is annoying to watch..a hypo, fumbling idiot. The film offers no opportunity to connect with the characters, which is a shame considering it's based on a true story.

The comedy feels forced, but with more work on some of the gags and general tightening of the editing and pacing, some of it would have come across better.

Soundtrack and cinematography were forgettable.

It felt like a pet project that wasn't meant for wider distribution, maybe something you show your friends...."remember that time when my relationship went bad, and stuff happened?"

Reviewed by scurvytoon 6 / 10

Awkward with intermittent passages of funny

Simon Helberg wrote and co-directed this tale of a shlamazel with self esteem issues, a touch of OCD and a healthy dose of hypochondria. One suspects if Woody Allen had made this film it would have had better fleshed out supporting characters and the long term live-in girlfriend could have still worked if a better actress had been cast. As it is Melanie Lynksey's Devon is played with a constant scowl and annoyed unpleasant disconnected manner more befitting of a drama than a slapstick comedy. Kelsey the rebound prospect as played by Maggie Grace is brilliant and perfect for this genre, being the mad fly in the ointment of Quinn's plans. Sadly her contribution along with those of others including Quinn's father are poorly connected to Quinn's central character. The only other person who's role in the film was properly thought out is the best mate who's always there for support and advice. It's clear the rest of the script wasn't properly thought out or bound up before filming, which damages an otherwise great idea.

We'll never have Paris aspires to be Manhattan and misses the mark by just enough to make it a bit of a drag in between gags. The saving graces of the film are Helberg's consummate Jewish man/boy and the brilliant soundtrack of French songs that given the fact most people won't understand them, serves well to give the film a light atmosphere in the same way jazz was used to great effect by another neurotic writer director.

If you're going to make a film like this, make sure the hero ends up with the girl who is at least a bit sympathetic. By the end of the film Quinn has clearly succumbed to his fears and wears down the woman who is more mother than lover. Perhaps there is an element of reality in as much as Devon is well into married life without the benefit of having ever been asked. If you're intent on making her the prize at the end, her role needed to be written/acted with more effort than the sleepwalk we were treated to.

We'll never have Paris could have been so much better and is proof that comedy without timing and empathy is only ever painful at best. You wish there was a reset button because it's almost there but for better casting and some fine tuning. I look forward to seeing Simon Helberg's next effort as I'm sure it has to be better than this.

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